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Five sexy bollywood actress 2015 photo

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Moview Review :Ragini MMS2

Author : Rajjaiswal

Cast: Sunny Leone, Parvin Dabas, Sandhya Mridul, Divya Dutta, Karan Mehra.

Director: Bhushan Patel.

Rating:**

There is no denying the fact that sex and sleaze are two such relevant condiments of cine-biz which can make even a poppycock kind of cine idea secure a decent opening at BO. And this fact is once again proved by the kind of response which Sunny Leone starrer Ragini MMS 2 received at its opening. Ever-since the movie went on floor its makers started clamouring that this is the first Horrex of Bollywood, and that's probably in order to fuel the curiosity of the viewers and to prove that unlike its predecessors belonging to the same ilk, concept of Ragini MMS 2 is something out of the box.

But all those who have grown up seeing Ramsay Bros' horror masterpieces and have seen last year's spooky super-hit of Hollywood "The Conjuring" will right-away discard these claims of Ekta and party.

Anyhow coming to the clumsy premise of "Ragini MMS 2", the movie advances from where its prequel Ragini MMS concluded, where a dirty weekend plan of Ragini (Kainaz Motivala) and her boyfriend Uday (Rajkumar Rao) at an isolated bungalow goes awry. And subsequently Uday gets killed and Ragini ends up being in a mental asylum.

This time with Ragini MMS 2, the tale rolls ahead where this entire inexplicable incident grabs the attention of a cine director Rocks (Pravin Dabas) who decides to cash upon the potency of Ragini MMS mystery and opts to paint it on celluloid. And in order to fulfil his hankering he ropes in Sunny (Sunny Leone) to portray the character of Ragini and Satya (Saahil Prem) to write the screenplay of his ambitious project. And what turns nightmarish for this pervert sort of a director and his entire crew is former's decision of shooting his movie in that same haunted and isolated villa where the actual incident took place. And yeah there's another story running parallel to this main plot where a New York returned psychiatrist Dr Meera Dutta ( Divya Dutta) is trying to decode the mystery behind Ragini's mental state and Ragini MMS scandal.

There is no denying the fact that when Ragini MMS made it to celluloid in 2011 it offered a very genuine dose of spooky entertainment to the viewers, but as far as storyline of its sequel is concerned then this time creators of the story Suhani Kanwar and Tanveer Bookwala have religiously kept themselves detached from novelty and didn't interject even a pinch of innovativeness to create an alluring cine narrative.

In fact it won't be wrong to say that from inception till culmination the writer duo looked totally possessed by the "Jetkin" (witch) of doing "Parrot Job", where they generously borrowed the premise from Hollywood super hits like The Conjuring and Blair Witch 2. Although Suhani and Tanveer tried to blend all the , necessary flavours like sleaze, eroticism, horror and toilet humour required for making a, "Horrex" but unfortunately this effort of their looks so half hearted that entire premise of Ragini MMS 2 ends up being a parody of a sort where even spookiest moment looks hilarious and coated with shoddiness.

What further adds to the rotten luck of the narration is asymmetrical distribution of all the relevant condiments. First half with a sound dose of erotica and double entendre looks more focused towards satiating the carnal fantasies of those watching. Whereas in the second half toilet humour gets replaced by horror, in nut shell storyline of, Ragini MMS 2 is about everything weird under this sky, except horror.

And if we talk about dialogues, then after seeing Ishita Moitra penning some marvellous rhetoric gems for the movies like Mere Dad Ki Maruti, it's quite disappointing to see this magnificent magician of words dish out something thoroughly below her level. Dabbled in the treacle of double entender even the dialogues of Ragini MMS 2 seem to be thoroughly disproportionate.

In screenplay department Suhani and Tanveer have once again failed miserably in covering up the flaws of their writing. Be it pace of narration or the length of the movie, everything seems to be done with intent of reaching the mark of almost two hours run-time. While being in director's chair Bhushan Patel has also failed in recreating the magic which Pawan Kriplani's (director of Ragini MMS) which latter created with his cine saga. Besides in the absence of so many must haves even the cinematography and editing of Naren Gedia and Tushar Shivan respectively seems to be a humdrum affair.

Decorated with magnificently peppy songs like Baby Doll and Chaar Bottal Vodka the music of the Ragin MMS 2 is a perfect Gen X delight.

Well as far as performances are concerned then, there is no denying the fact that after badly flunking in proving her acting competence with Jism 2 and Jackpot, this time Sunny has work really hard on her acting as well as dancing skills. Unlike her previous cine stints where she looked more of like a mannequin this time Sunny quite conveniently succeeds in donning the expressiveness pertaining to her character and with those improvised acting skills she looks simply lovable. Sahil Prem as struggling writer is just OK.

Pravin Dabas as a sort of pervert director is alright, whereas talent like Sandhya Mridul remains totally underutilised or rather wasted due limited screen presence and dull script. In a stereotypical role this time again Divya Dutta seems to be doing what we have often seen her doing and once again she does it with brilliance.

To sum up, with a balderdash script and lacking everything which this self proclaimed first Horrex of Bollywood claimed in the past, Ragini MMS 2 completely fails in giving you any horripilation, spooky entertainment or carnal pleasure. And after spending your hard earned money and valuable time in watching this monotonous kind of cine cantata you are only left with compunction about doing so. Hence keeping in view all the bland desserts which Ragini MMS 2 has in its offering salver, I am going ahead with two stars.

Nothing To Hide: Sunny unveils her latent desire!

Author : Rajjaiswal

Indo-Canadian adult film actress Sunny Leone, whose latest Bollywood project "Ragini MMS 2" has hit the screens, hopes that her performance in the movie will help people change their mindsets about her acting skills.

"I don't know if I would be able to shut the mouth of those who criticize my acting, speak bad about me, but I hope they watch my this film and hopefully change their mind about my acting," Sunny told reporters here Friday at Gaiety Galaxy theatre, where she was present to seek audience's response to her film.

Sunny made her Bollywood debut with erotica "Jism 2" in 2012, and then featured in "Jackpot" last year. While both the films failed to do decent business at the box office, her performance was hardly lauded.

However, she feels that with "Ragini MMS 2", she has improved as an actor.

"I believe that my acting in this film has got better. I am more comfortable now in front of the camera," Sunny said.

Talking about the difficulty she faced while shooting the climax scene for the film, Sunny said: "I can't tell you what all I had to do to shoot that (climax) scene. My whole body was exhausted.

"I didn't have a body double to do bends and all that stuff. I was bruised, cut and bleeding," she added.

Meanwhile, "Ragini MMS 2", produced by Ekta Kapoor's Balaji Productions and directed by Bhushan Patel, has got a good start at the box office and Sunny has so far received a mixed response for her performance in the film.

Movie Review: The Grand Masti' Boys Are All Groin Up

Author : Rajjaiswal

Starring: Vivek Oberoi, Aftab Shivdasani, Riteish Deshmukh, plus 6 starlets who are game.

Directed by Indra Kumar

Rating: *1/2

Is that Farhan Akhtar's Lucky 3 from Dil Chahta Hai standing under Indra Kumar's lucky tree from Dil?

We can re-christen Grand Masti as Dildo Chahta Hai. And if that sounds crude then wait till you see and hear what Indra Kumar's new cocksure comedy has in store for you. There is no pulling back from the black hole of luridness this time. The horny trio of boys from Indra Kumar's Masti are all groin up now.

They still continue to be obsessed with one part of their anatomy and two parts of the other gender's.

I remember many of Indra Kumar's film featured a particular tree which the director considers lucky. There is a tree here in Grand Masti too, where a rigid college principal hangs any student who looks with lascivious intent at the girls on the campus.

A spot of Agneepath in a film where life, strictly below the waist is not just hard. It's hard-to-get.

The three leering...sorry leading men who, ummmm, come together represent the spirit of defiant devil-may-care let's-just-stand-erect-and-stare skirt-chasing that seems at odds with the current save-women-from-rape mood of the country. If you feel movies that objectify women must be discouraged then you are advised to stay as far away from this horny farce as possible.

Lekin horny ko kaun taal sakta hai?

There are the comedies. Then there are the SEX comedies. Filled with innuendos, suggestive leery double-meaning dialogues that make us chuckle and giggle even if we are not the sort who like to exchange dirty jokes in the sms, Grand Masti has itself a ball at the expense of basic good taste.

The gags in Grand Masti unabashedly celebrate the puerile spirit of sms forwards. You know those jokes about women's breasts and men in a perpetual state of arousal that are exchanged among 12-year old boys who have just discovered the birds and the bees?

If you packaged those pssst-pssst jokes from your puberty in plenty of loud aggressive dialogues loaded with double meanings and oodles of close-ups of breasts of all shapes and sizes you'd get into the spirit of Grand Masti.

To their credit the three, er, boys Aftab Shivdasani, Vivek Oberoi and Ritesh Deshmukh, now in their mid-30s, get into the spirit of the sex-comedy full-on. Oh, they love talking dirty!

The one thing that works fully in this film's favour is it unabashed homage to horniness. Our three heroes are perpetually aroused. To prove it they emanate moans groans and sighs constantly.

They smack their lips and roll their eyes as though to remind us that some things in life, like skirt-chasing in films about men on the prowl, never change, even if you have a wife at home that you can't change.

Director Indra Kumar has never been a slave to subtlety. Here he pulls out all stops. He also pulls out other ummentionable objects that are defiantly pointed into our faces. Phallic objects abound. They come in all shapes and sizes.Take it or leave it.For the climactic eruption the director has all the male protagonists hanging by a ledge where the women must strip to create a rescue rope.

One really can't complain about the film's remarkably steep level of innuendos. Not a single member of the audience for Grand Masti expects anything but coarse humour borrowed from low-brow Gujarati plays.

Writer Milap Milan Jhaveri's wickedly wanton word-play leaves no space for subtlety in the script. There is repeated humour about a woman with over-sized breasts repeatedly offering the guys a `free darsha of her `dono doodh ki factory.

Stand-up comedian Suresh Menon shows up as a mock-villain wearing a golden underwear whose roominess keep inflating and deflating according to the mood.Early on in this pubescent homage to hard-ons Menon gets the privilege of walking up to a woman and sheathing her umbrella with a condom.

The obscenity flows out unstopped, unchecked, uncaring of rudimentary rules of decency. Having declared this to be irreverent territory director Indra Kumar doesn't really care how lowbrow the humour gets. And the jokes happily really plumb to unimaginable depths. In one sequence the writing crackles and hisses with pleasure as Shivadsani gets his private parts bitten by a cat called, hold your breath, Pussy.

What can be said about the writing when the three ladies whom the married heroes make out with are named Rose, Mary and Marlow, only so that their names can together sound like `roz-meri-mar-lo, meaning, very crudely, bang me every day.

Ha ha ha, to that.

If mammary...sorry, memory serves me correctly the same Rose-Mary,joke was used in that other recent tribute to lewdness Kya Super-Cool Hain Hum.

I guess the smut society is smitten by the same sms jokes.

More than the boys I salute the three pairs of ladies playing the trio of gharwallis and baaharwallis for surrendering to the sexually suggestive spirit of the proceedings. A woman really needs to have nerves of steel to refer to her breasts as, `doodh ki factory.`

The writing and direction in a film such as this is either a sign of absolute innocence about political correctness or indicative of an obstinate disregard for all good taste.

Take your prick...I mean, pick.

A life-long dream nurtured by Aamir Khan turned into reality when the actor took off for Australia in August.

Author : Rajjaiswal

A life-long dream nurtured by Aamir Khan turned into reality when the actor took off for Australia in August to learn tap dancing from professional dancers

Aamir plays a circus gymnast in his next film with Aditya Chopra's banner and his real-life skills apparently helped him to ace his part.

Sources close to the actor say he learnt the basics of the dance form in Mumbai for a week and then flew to Down Under for three weeks. Insiders at the production house say that it was when Aamir said aloud his thoughts to Aditya Chopra that the producer asked him to follow his dream and that he could incorporate it into the film as well.

A source close to Aamir says, `He always wanted to learn tap dance and it's not easy. One has to practise it everyday. He had mentioned it to Aditya and Vijay (director of Dhoom 3) that he wanted to learn tap dancing and they decided to make him dance for Dhoom 3. It requires a lot of practice.` The source also adds how Aamir wants to keep dancing in his spare time even after shooting for the film concludes.

Apparently, Salman Khan has trained his guns on VJ Andy, who made fun of the 'Bigg Boss 7' show host's gaffe on air

Author : Rajjaiswal

Apparently, Salman Khan has trained his guns on VJ Andy, who made fun of the 'Bigg Boss 7' show host's gaffe on air

The very motto of Bigg Boss is to present the ugly truth behind the glitz and glamour of tinsel town in front of the unsuspecting television viewers. But sources say the show's host Salman Khan apparently hoped his recent slip-of-tongue would be safely edited out of the final content that goes on air. But unfortunately for him, the scissors were not wielded and the audience got a first-hand experience of the star's fumbling on his script.

VJ Andy, one of the contestants on the show, apparently wouldn't stop teasing Salman on his gaffe, which didn't go down well with the star. A source says, `Salman was introducing one of the new participants on the show and Andy was already inside the house.

He saw Salman's act on the screen and imitated him. While initially the star took it sportingly, he was hoping the production team would edit it out.`

Much to Salman's displeasure, it was aired as it is on Sunday that left the star miffed. A source from the channel says that Salman was also mighty ticked off with Andy's antics. `Looks like Salman will now wait to pick on Andy, just the way he did towards Imam Siddiqui for his odd behaviour on the show's last season.`

During one of his media interactions, Salman had said how he takes it upon himself to correct those who make fun of others on the show. He had also cited the example of TV actor Akashdeep Saigal (Sky) who had walked out of the show in the fifth season. The official spokesperson of the channel however rubbishes the buzz.

'Bigg Boss 7': What makes Elli Avaram cry on Day 5?

Author : Rajjaiswal

'Bigg Boss 7': What makes Elli Avaram cry on Day 5?

An ever-so-cheerful and enthusiastic Elli Avaram of 'Mickey Virus' fame cries on Day 5 in the 'Bigg Boss' house

Elli was always seen happy and cheerful since the time she has entered the 'Bigg Boss' house. Her bubbly nature and enthusiasm made her a favourite amongst all the housemates. But it so happened that the always smiling Elli burst into tears. The reason was Armaan Kohli who was always seen getting playful with her and making fun of her.

This time however, Armaan seems to have crossed the line and went overboard in teasing her which went on to offend her. In return, Elli said that he will slap Armaan if he did not stop making fun of her.

This did not go down well with him and he expressed his anger. Elli couldn't take this and broke down into tears. She was inconsolable as Pratyusha and Kushal tried to calm her down and this issue later became a topic of discussion amongst everybody who was seen talking in favour of Elli.

Armaan's attitude seems to be a great concern amongst the housemates and it will be interesting to see how they deal with it in coming days.

Movie Review: 'The Lunchbox' is a better movie to view with parentes.

Author : Rajjaiswal

Starcast : Irrfan Khan, Nimrat Kaur, Nawazuddin Siddhiqui, Nakul Vaid, Bharti Achrekar

Director: Ritesh Batra

Rating : ***1/2

Now that's what I call something out of the box or rather "Lunchbox." In the current age of Indian cinema where Gen-X kind of love stories are the spice of the season, "The Lunchbox" seems to be a story with a difference, which can definitely leave you under the mesmerizing spell of awe. And why I am calling ,"The Lunchbox", a story with a difference, because in the era where emails, instant messaging and numerous other social media platforms are considered to be the backbone of romanticism, the author, Ritiesh Batra has tried his hands on something entirely unimaginable, "a lunchbox", where scribble notes placed in the the lunchbox emerge as a mean of communication between two strangers who just have three things in common, "desolation, loneliness and a need for love".

To some of the gen-next cine buffs the idea may seem something outdated and stodgy, but it's this simplicity of the movie which envelops your "heart and brain" within no time. "The Lunchbox" is a placid yet spellbinding narration of a relationship which dawns by the wrong delivery of a lunchbox and subsequently unfurls the various shades of human life and desires.

"The Lunchbox" showcases the life of a neglected housewife Ila (Nimrat Kaur) who in order to make her her love life happening and to defeat the gloominess prevailing in her life, due to the neglectful attitude of her husband (Nakul Vaid), goes by the advice of neighborhood aunt (Bharti Achrekar) of pleasing her husband by her culinary skills.

But the destiny had something different in its womb for, Ila and her Lunchbox of affection lands up on the desk of grouchy widower accountant, Saajan Fernandes, who is on the verge of his retirement. Soon after having a rendezvous with what has happened as her husband returns in the evening, Ila tucks in a note in the lunch box the following day, to which Saajan responds and from there takes-off a pen-friend sort of a charming relationship, where two strangers start sharing their memories, dreams and agonies of their solitary lives.

As said earlier the plot may look stodgy to a few but believe me the premise of "The Lunchbox" is literally something belonging to the genre of "never seen before" kind of cine flicks. With such a simple yet poignant story-line it's the warmth of this heart-touching tale which mesmerizes you till the core of your conscious. And as far as writing dexterity of of its author, Ritesh Batra, is concerned then surely the man has picked a very innovative and tender theme to adorn an intriguing cine saga around it.

Be it any perspective pertaining to narration of "The Lunchbox" everything seems to be so much in accordance with the spirit of the movie, that you never feel like pausing your attention from dabbling into the onscreen proceedings.

Even in the direction department, Ritesh has never looked like a debutant, be it it sentiments, warmth of a relationship, latent agonies of the protagonists, human factor or milieu of a metropolis, Ritiesh has painted everything on the celluloid with so much of finesse, that you literally fall in love with this warm and soothing sensory experience. So special kudos for him.

Well as far as performances are concerned then, probably it's very hard to put the performances of all the characters of "The Lunchbox" in words. As usual Irrfan is once again seems to be in his best form. After "Paan Singh Tomar" this is another path breaking performances by this powerhouse of talent. Besides Irrfan, Nawazuddin Siddiqui is another accomplished performer of the movie who had been flawless throughout.

At last but not the least it's Nimrat who despite the presence of two of the most talented actors in the movie, never gets overshadowed and quite conveniently succeeds in making her presence feel. While portraying Ila, Nimrat looks completely effortless in bringing alive the latent feelings of a lonely housewife and up-till great extent succeeds in making her character a believable one.

There are certain movie which are made to thrash the existing BO collection benchmarks, but "The Lunchbox" is certainly not one of them. It seems to be something "made from heart and made for heart", so probably the BO collection of "The Lunchbox" may not touch some astonishing figure but in-spite of that it has got all the ingredients to make people fall for it.

To sum up, the movies like "The Lunchbox" are not the ones which can be gauged on the rating gauge, because what they offer to their audience is something like "once in a life time experience" and besides that they confer you with an altogether new outlook towards life. So with huge bunch of accolades for the entire "The Lunchbox" team for such a praiseworthy effort, all I can say is "The Lunchbox" is savory and a must have cine delight for cine buffs.

Jagga Jasoos movie review .

Author : Rajjaiswal

Newsbreak: Priyanka opposite Ranbir in 'Jagga Jasoos', not Alia

Apparently, Priyanka Chopra has been roped in for Anurag Basu's film co-starring Ranbir Kapoor, Alia Bhatt

Close on the heels of buzz that Alia Bhatt has been roped in to play one of the two lead heroines in Ranbir Kapoor's upcoming film, our sources tell us that Priyanka Chopra too has apparently been signed for Anurag Basu's detective drama.

Apparently, PC's on screen chemistry with RK is what tipped the scales in her favour. A source says, `Priyanka also worked in Anurag's Barfi! opposite Ranbir.

The director had been planning to finalise the cast for a while now.` Though PC and Anurag remained unavailable for comment, another source close to the project says, `PC has a busy year ahead.

She has to finish her Mary Kom biopic and promote two other upcoming films. She shares a great relation with Anurag as well as Ranbir. If she can accommodate the dates, she will definitely be a part of the project.`

Sunny Leon with Husband told that we are husband and wife at our home.

Author : Rajjaiswal

At home, we're just like a normal husband-wife: Sunny Leone

Thursday, August 08, 2013 11:04 IST By Uma Ramasubramanian, Santa Banta News
Indo-Canadian adult star Sunny Leone, who is enjoying her stint in the Hindi film industry, says she leads a normal life with her husband Daniel Weber and their relationship is like any other normal married couple.

Sunny, moved to India to participate in the reality show "Bigg Boss 5" and while still being in the house, she was offered a film by Mahesh Bhatt. After coming out of the house, she bagged "Jism 2", which was directed and produced by Mahesh Bhatt's daughter Pooja. Now she is doing "Jackpot", which also features her husband.

Sunny told: "We have a very normal conservative husband-wife relationship. We have an exciting life. We travel a lot, go for shooting and photo shoots... just everything we think of, we do. We are just two normal husband and wife family."

"When you are husband and wife, you are obviously dependent on each other, but we both are independent individuals. I want to be with him, help him out," she added.

She is not a party person and loves to cook.

"I don't like to party... When I am at home, I cook a lot. My husband loves to cook. Whatever he cooks, I eat. He likes to cook different things. Even I cook different things for my husband," said Sunny.

Although "Jism" was an erotic thriller, Sunny is open to other kind of roles too.

"I don't have any pre-conception. When you start saying 'no' and that 'I only want to do these kinds of roles', you suffer as an actor. Movies are fiction, not real and who cares whether the person (the character) is bold, drug dealer or whatever. We like watching movies because we like watching characters," she said.

After "Jism", Sunny almost gets "two to three scripts" everyday.

"I get script almost every single day. I am not kidding... probably I get two to three scripts every single day. I am happy reading, so if anything catches my attention, I will take a step further.

"All the characters offered to me vary from sexy to bold and some are serious as well."

She admits that "Bigg Boss" was a turning point in her career.

She said: "I think the best thing ever happened was "Bigg Boss". When I came here as Sunny Leone, people drew their own conclusions. 'Bigg Boss' got me on TV and when people saw my everyday life, when they got to know I am not jumping on tables and doing crazy things, they accepted me... and I am grateful to the show."

The actress, who is sharing screen space with veteran actor Naseeruddin Shah in "Jackpot", was nervous working with the veteran.

She said: "I was nervous to work with him. He is one of the finest actors, but he made me feel comfortable. He is a wonderful co-star to work with."

Hrithik took 4 hours each day for Krrish 3 make up!

Author : Rajjaiswal

Krrish 3's first look trailer seemed to be the most talking trend of Bollywood from the moment it has launched. Going by the trailer, Krrish 3 will also have Rohit's (Father of Krrish) character in the film. And for all your surprise, The make-over for both the characters took whole of 4 Hours for actor Hrithik Roshan each day on the film's set.

"We had to do it. Rohit's character is a child at heart and he is always looking for happiness. But he also happens to be a Father in this film. Yes it was very difficult, And i can go on and on about how difficult it had been.

But all our hard-work if not appreciated, Would be of no use. It's only worth, If it's been liked by everyone. And i am happy that my looks are being appreciated" revealed Hrithik Roshan.

The actor also kept praising about the hard-work of the entire team and disclosed no Hollywood technicians were hired for Krrish 3.

"My dad (Rakesh Roshan) made sure that no Hollywood Technicians must be hired for Krrish 3 and all the animations and graphic works were done here in India by our Indian Technician team. My dad always encouraged and motivated our technician that we can do it. " adds Hrithik Roshan.

Krrish 3 will hit the screens this November 4th worldwide. Surprisingly, The date falls on Monday instead of a regular Friday release.

Taapsee Pannu- the young Bollywood talent to watch out for!

Author : Rajjaiswal

Bollywood introduces many talented fresh faces every year. While many faces just fade in the clutter, there are few who make their present felt. Alia Bhatt, who debuted with Dharma Productions' 'Student Of The Year', went on to win a million hearts with her performance.

Another debutante, who made a mark with her first Bollywood film is Taapsee Pannu. The actor, who made her Bollywood debut with David Dhawan's directorial venture, 'Chashme Baddoor', has left quite a mark by winning the hearts of the audience.

Released in April this year, the film was very well received. David Dhawan, who has given Indian cinema, some of the most memorable comedies, had complete faith in Taapsee to play the female lead in his film.

Right before the release, the director was quoted saying, "I found my ideal 'Chashme Baddoor' girl in Taapsee. She has got the fresh innocent quality that was needed for a film like this one.`

With a very strong screen presence and her girl-next-door vibe, Taapsee stands out among the current lot. Taapsee has certainly managed to create a stir in Bollywood.

Taapsee's likable and easy-going personality has certainly pleased the audience as well.

Surprisingly, Bollywood happened just by chance for the natural actor who is a software engineer. In spite of belonging to a Punjabi Sikh family, Taapsee has perfected South Indian dialects brilliantly and played many challenging roles, down south, convincingly.

After making her big Bollywood debut this year, Tapsee is undoubtedly the actor to watch out for.

Rani Mukerji to lose 12 kg for 'Mardaani'

Author : Rajjaiswal

Rani Mukerji to lose 12 kg for 'Mardaani'

Physical trainer Samir Jaura is busy working with actress Rani Mukerji for her look in " Mardaani". He says she needs to reduce 12 to 13 kg for her role in the movie.

"I'm training Rani for 'Mardaani' and she will be losing around 12 to 13 kg for the film. We started training two weeks back and she has already lost 3 kg," Jaura told IANS.

In the film, Rani plays a police officer, and the role demands her to be fit.

"Mardaani" is helmed by Pradeep Sarkar, who had earlier directed Rani in the film "Laaga Chunari Mein Daag - Journey Of A Woman".

Jaura is also the one who is training Priyanka Chopra for the Mary Kom biopic, and he is also behind the macho and fit looks of Farhan Akhtar in "Bhaag Milkha Bhaag".

RIP Pran Sahab: Bollywood's most beloved bad man passes away

Author : Rajjaiswal

Veteran actor Pran, who passed away on Friday night due to prolonged illness and multiple organ failure, will be cremated on Saturday at the Shivaji Park crematorium in Mumbai.

The 93-year-old actor, who strode the film industry like a colossus for decades essaying roles of mostly villains in the silver screen whom generations of cine goers would love to hate, breathed his last at around 8.30 pm at Lilavati Hospital.

He was admitted at Lilavati Hospital for months.

Pran: The Man Everyone Loved to Hate
In May this year when legendary actor Pran was conferred the highest film honour of India with the presentation of Dada Saheb Phalke award at his residence, the silver screen journey of one of the most powerful actors of the Bollywood industry, who died on Friday, perhaps reached a milestone that was long awaited.

But while the honour that clubbed Pran in the ivy league of Indian celluloid actors was bestowed at the ripe age of 93, the thespian himself had long been rewarded with the glowing tributes of Indian cine goers who for generations just loved to hate the man who played baddies for decades with a skilled voice modulation and then wowed audiences with his layered do-gooder performances in films like Zanjeer and Majboor.

Born in the year 1920 in Old Delhi into an affluent Punjabi family, Pran started his career way back in 1940.

He has acted in over 400 films in a career spanning six decades. And in each one of them, he brought new mannerism and style, holding the audience spell bound by his acting.

Largely recognised for his villainous characters that he brought alive in the silver screen, Pran ruled the Bollywood filmdom from the 1960s to the early 1980s though his career had started way back in the 1940s. While he played villain, in real life he was known as a perfect gentleman.

As actor Anupam Kher remembers Pran was a very dignified actor and who was never diplomatic while Amitabh Bachchan remembers as a gentleman to the core.

His talent and acting skills were beyond question.

"I remember his enthusiasm and commitment towards work. He was such an involved actor and would discuss about his costume and make up and get-up. He used to invent something about the character," remembers film writer and lyricist Javed Akhtar.

"He had great honesty towards his work," says Akhtar who worked on films like Zanzeer and Majboor featuring Pran in special roles.

So when actor Pran Krishan Sikand, better know as Pran, died on Friday, the film fraternity mourned the passing away of an actor who exited from the mortal world, but left behind a legacy of myriad cinematic moods he crafted on the celluloid world.

The red-haired Pathan Sher Khan in 'Zanjeer' with a magical chemistry with super star Amitabh Bachchan perhaps would never be forgotten.

The legendary actor had a great ability to essay his negative roles in equal importance with that of a hero. His style, posture and voice had an instant connect with the audience.

Who can forget his style and sophistication in films like ' Don' or 'Ram Aur Shyam'? The actor had justified every single character that he has portrayed on screen.

The actor had such an influence on screen that his name inculcated fear in the minds of many and parents refrained themselves from naming their child 'Pran'. As the credits rolling in the beginning of the films featured Pran, the audience would know that a devilish man would challenge the hero and make it difficult for the heroine till a fight sequence climax pits him against the good forces.

Pran is also credited with giving Amitabh Bachchan his biggest break, having recommended that director Prakash Mehra cast him as Inspector Vijay in 1973's 'Zanjeer'.

Pran was born on Feb 12, 1920 in Ballimaran, Kotgarh Old Delhi, into an affluent Punjabi family. His father, Kewal Krishan Sikand, was a civil engineer and a Government civil contractor; his mother was Rameshwari, and the couple had four sons and three daughters.

He was academically gifted, especially in mathematics. Since his father had a transferable job, he studied in various places, including Dehradun, Kapurthala, Meerut and Unnao (Uttar Pradesh), finally completing his matriculation from Raza High School, in Rampur.

Thereafter, he joined A. Das & Co., Delhi as an apprentice as he wanted to become a professional photographer. This job took him first to Shimla, where he played the role of Sita in a local staging of "Ramlila".

A chance meeting with writer Wali Mohammad Wali, who worked for Dalsukh M. Pancholi, at a shop in Hira Mandi, Lahore, led Pran bag his first role in Pancholi's Punjabi film 'Yamla Jat' (1940)

He acted as a hero from 1940-47 and as a villain from 1942-1991 while all along playing supporting and character roles from 1948 to 2007.

Pran had married Shukla in 1945, and has two sons, Arvind and Sunil, and a daughter, Pinky.

In a long and prolific career he appeared in nearly 400 films. He played the leading man in films like Khandaan (1942), Pilpili Saheb (1954) and Halaku (1956).

His roles in the films like Madhumati (1958), Jis Desh Men Ganga Behti Hai (1960), Upkar (1967), Shaheed (1965), Aansoo Ban Gaye Phool (1969), Johny Mera Naam (1970), Victoria No. 203 (1972), Be-Imaan (1972), Zanjeer (1973), Don (1978) and Duniya (1984) are considered to be among his best performances.

A star of his stature, Pran has been honoured with numerous awards. The actor was conferred the highest film honour of India, Dadasaheb Phalke Award, for his lifetime achievement this year at his home since he was ailing. He had been honoured with the Padma Bhushan award by the Government of India had in 2001.

But awards apart, each time Pran would appear with an imposing presence in his umpteen movies before audiences who would mostly watch them on TV or on CD/DVD players and utter his favourite word "Barkhudaar", the actor will live among the cine lovers forever.

Pran or Pran Kishan Sikand was conferred the highest film honour of India, Dadasaheb Phalke Award, for his lifetime achievement this year at his home since he was ailing, while throughout his acting career he received many accolades, including several Filmfare awards.

Pran's performances have received acclaim in films like Azaad, Madhumati, Devdas, Dil Diya Dard Liya, Ram Aur Shyam, Aadmi, Ziddi, Munimji, Amar Deep, Jab Pyar Kisi Se Hota Hai, Aah, Chori Chori, Jagte Raho, Chhalia, Jis Desh Men Ganga Behti Hai, Zanjeer etc. The list is long.

In 2001, the Government of India had honoured Pran with the Padma Bhushan award.

He played the leading man in films like Khandaan (1942), Pilpili Saheb (1954) and Halaku(1956).

Twitteratti mourn Pran's death
Politicians, film fraternity and people from different walks of life mourned the death of veteran Bollywood actor Pran on Friday.

Bollywood actor Pran, who strode the film industry like a colossus for decades essaying roles of mostly villains in the silver screen whom generations of cine goers would love to hate, died on Friday here. He was 93.

Gujarat Chief Minister Narendra Modi tweeted: "Sad to know of demise of legendary actor Pran. He will be remembered for generations. Condolences to his family. May his soul rest in peace."

Madhya Pradesh CM Shivraj SIngh Chouhan said:"An era ended with departure of legendary actor Shri Pran. May his soul rest in peace. My heartfelt condolences to the grieving family.

Bharatiya Janata Party (BJP) leader Sushma Swaraj said: "With the sad demise of Shri Pran, the country has lost an artist par excellence."

Former chief election commissioner SY Quraishi tweeted: "A ferocious villain on screen, a perfect gentleman in real life. RIP Pran Sahib. Another icon gone. End of an era."

Filmmaker Madhur Bhandarkar tweeted: "Can't get over the ICONIC PRANSAAB's demise, MalangChacha of UPKAR,Sherkhan of ZANJEER Simply Unforgettable Memories Part of Life Now."

Reacting to Pran's death, Bollywood actor Boman Irani posted on his Twitter page: "And Pran Saab is no more.Generations will never forget. That is your legacy."

Filmmaker Karan Johar tweeted: "RIP PranSaab.....truly the end of a maginficent and glorious era....he was a gentleman superstar and heaven is blessed today....Funeral for PranSaab at 12 noon tomorrow...Saturday the 13th... at the Shivaji Park electric crematorium."

Actor Arjun Rampal said: "RIP Pran Saab, you immortalised so many characters, was fortunate to play one of them. You live in my heart forever."

Condoling the actor's death, actress Dia Mirza posted: "6 decades of entertainment, over 400 hundred films...STALWART #RipPransaab."

Actress Chitrangada Singh said: "It feels like one is losing a generation of that has lived a glorious era ... RIP Praan saab .. God bless the soul ."

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